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He goes to his mother to confide, and Dorothea backs away, becoming fearful of her sonвЂ™s rapid transformation into a feminist.В She attempts to wrestle the control of mentoring back from Abbie, and asks her to stop giving him вЂњhardcore feminist texts.вЂќ Dorothea is full of contradictions: she wants her son to have liberal values but also wants to maintain her distance. He struggles emotionally he wants to be a man that satisfies women and doesnвЂ™t cause them grief, but itвЂ™s unknown territory. Jamie buys a home pregnancy test for her, and together they wait the long painful two hours to discover its outcome.ДЄbbie gives Jamie feminist literature, including Our Body, Ourselves, giving Jamie an education inВ women's sexual needs unlike that of most teenage boys. He listens (at first unwillingly) about how a boy came inside of Julie, even after she asked him not to. He accompanies Abbie to her cancer check-ups and is there for her ups and downs. She comes solely for warmth and comfort, which drives the horny teenager up the wall.ДЄt DorotheaвЂ™s request, Abbie and Julie bring Jamie into their lives, and he becomes intimately acquainted with the uglier side of being a woman. She enlists the help of her boarder Abbie (Greta Gerwig) a passionate and artistic 24-year-old, who loves Bowie and is a way-too-young survivor of cervical cancer and Julie (Elle Fanning) an at times self-involved, angsty and promiscuous teenage girl, who sneaks up to JamieвЂ™s room every night.

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Her parental frustrations are more than just generational: a divorced mother, with no potential male role model in sight, she wonders how to raise a modern man who is in touch with his emotions.ДЇeeling like she alone isnвЂ™t enough, Dorothea brings two other women into his upbringing. However she struggles to relate to him his world, filled with punk rock clubs and screaming music, is foreign to her. She discourages him from thinking he has to be the hero of every problem. She writes fictitious notes to get Jamie out of school and is always inspiring him to question things, especially his role as a man. Dorothea keeps her distance from men, including her frustrated teenage son Jamie (Lucas Jade Zumann), who wants freedom from her while also desperately wanting to get to know her.Дorothea is the type of parent who encourages critical thinking. A product of the depression, she is a woman well ahead of her time, as one of the first woman to attend flight school and the only lady at her male-dominated job.

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She is a free spirit who invites acquaintances to her house for dinner parties. Mills paints his mother Dorothea (Annette Bening) as wise, stunning, and- refreshingly- true to her age. What makes this provocative film remarkable is that it doesnвЂ™t fall back on the usual clichГ© female roles-instead portraying lives closer to what women actually experience. He brings to life his teenage self in this semi-autobiographical tale, yet focuses firmly on the narratives of three strong women close to him at the time. Director and writer Mike Mills takes us back to 1979 Santa Barbara: punk is on the rise and feminism is seeping into the mainstream.

20 th Century Women is refreshing, beautiful, and feminist.

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